Sebastiao Salgado
Salgado, Amazonia
For six years Sebastiao Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region: the rainforest, the rivers, the mountains, the people who live there-this irreplaceable treasure of humanity in which the SebastiĂŁo Salgado on the traces of the indigenous peoples of the Amazon rainforest SebastiĂŁo Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live thereâan irreplaceable treasure of humanity.In the bookâs foreword Salgado writes: âFor me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the worldâs largest single natural laboratory.âSalgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the AshĂĄninka, the YawanawĂĄ, the SuruwahĂĄ, the ZoâĂ©, the Kuikuro, the WaurĂĄ, the KamayurĂĄ, the Korubo, the Marubo, the AwĂĄ, and the Macuxiâtheir warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals.SebastiĂŁo Salgado has dedicated this book to the indigenous peoples of Brazilâs Amazon region: âMy wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 yearsâ time this book will not resemble a record of a lost world. AmazĂŽnia must live on.âSoon available in a Collector's Edition including a bookstand designed by Renzo Piano and four Art Editions, each including the Renzo Piano bookstand and a signed printThe photographer and author SebastiĂŁo Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994, he and his wife LĂ©lia Wanick Salgado created Amazonas Images, which is today their studio, and exclusively handles his work. Salgadoâs photographic projects have been featured in many exhibitions as well as books, including Sahel. LâHomme en dĂ©tresse (1986), Other Americas (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Genesis (2013), The Scent of a Dream(2015), Kuwait. A Desert on Fire (2016), and Gold (2019).The editor LĂ©lia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s, she began to conceive and design the majority of SebastiĂŁo Salgadoâs photography books and all of the exhibitions of his work. Since 1994, LĂ©lia Wanick Salgado has been the director of Amazonas Images (until 2017) and their Paris studio.
For six years Sebastiao Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region: the rainforest, the rivers, the mountains, the people who live there-this irreplaceable treasure of humanity in which the SebastiĂŁo Salgado on the traces of the indigenous peoples of the Amazon rainforest SebastiĂŁo Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live thereâan irreplaceable treasure of humanity.In the bookâs foreword Salgado writes: âFor me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the worldâs largest single natural laboratory.âSalgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the AshĂĄninka, the YawanawĂĄ, the SuruwahĂĄ, the ZoâĂ©, the Kuikuro, the WaurĂĄ, the KamayurĂĄ, the Korubo, the Marubo, the AwĂĄ, and the Macuxiâtheir warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals.SebastiĂŁo Salgado has dedicated this book to the indigenous peoples of Brazilâs Amazon region: âMy wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 yearsâ time this book will not resemble a record of a lost world. AmazĂŽnia must live on.âSoon available in a Collector's Edition including a bookstand designed by Renzo Piano and four Art Editions, each including the Renzo Piano bookstand and a signed printThe photographer and author SebastiĂŁo Salgado began his career as a professional photographer in Paris in 1973 and subsequently worked with the photo agencies Sygma, Gamma, and Magnum Photos. In 1994, he and his wife LĂ©lia Wanick Salgado created Amazonas Images, which is today their studio, and exclusively handles his work. Salgadoâs photographic projects have been featured in many exhibitions as well as books, including Sahel. LâHomme en dĂ©tresse (1986), Other Americas (1986), Workers (1993), Terra (1997), Migrations (2000), The Children (2000), Africa (2007), Genesis (2013), The Scent of a Dream(2015), Kuwait. A Desert on Fire (2016), and Gold (2019).The editor LĂ©lia Wanick Salgado studied architecture and urban planning in Paris. Her interest in photography started in 1970. In the 1980s, she began to conceive and design the majority of SebastiĂŁo Salgadoâs photography books and all of the exhibitions of his work. Since 1994, LĂ©lia Wanick Salgado has been the director of Amazonas Images (until 2017) and their Paris studio.
Nyelv | angol |
KiadĂł | Taschen GmbH |
Oldalak szĂĄma | 528 |
KötĂ©s tĂpusa | Hardback |
SĂșly (g) | 4262 g |
Méretek (Sz-M-H) | 269 x 367 x 47 |
EAN | 9783836585101 |
SzĂĄllĂtĂĄsi idĆ | Nem elĂ©rhetĆ |